Red Light Politics

Welcome to my short form Tumblr blog. My name is Flavia Tamara Dzodan, I am a business developer, writer, public speaker, ideas instigator, content creator, media facilitator and trend watcher living in Amsterdam.

This Tumblr is about the spaces and intersections between politics, culture, race and gender matters with some humor and pop culture thrown in the mix.

My long reads blog is Red Light Politics.

I also blog at Tiger Beatdown.

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149 posts tagged The Netherlands

Primary schools are structurally refusing to accept children with an ethnic minority background because of fears they may drive down test scores, experts from multicultural institute Forum say in Friday’s Trouw.

DutchNews.nl - Primary schools reject minority pupils over test score fears: Trouw

More than once I’ve been told by Dutch people that “I must have made up” the concepts of institutional and institutionalized racism. They claim such a thing does not exist in The Netherlands (something to do with “everyone being equal under the law” yadda yadda, etc). This, I’m afraid, explains the ideas much better than I could with mere words of my own. 

Mediamatic, cultural appropriation and Dutch context

You know, in a country where vast sectors of the population will aggressively defend the yearly use of Black face as a national heritage and a cause of pride, I find it difficult to resist stuff like this.

“Slum Carnival”, “Freezing Favelas”, “White trash liquor factory”, photos of makeshift plastic tents… this little “art”project has all the markers of awful cultural appropriation and the perpetuation of racial and class stereotypes.  The organization behind this, Mediamatic, according to their mission statement, gets three quarter of their funding from subsidies. However, when on Twitter, I called their project “awful”, they reacted with the usual defensive agression that I have grown to accept is par of the course in this country when any criticism is leveled against institutionalized racism and/ or classism. There is no self reflection, no research as to why people might find stuff like this offensive, instead, throw deflective one liners at whoever pointed out the inappropriateness. Mediamatic, in that sense, is a true Dutch institution, oblivious to their impact in an overal cultural context and certainly uninterested in situating themselves or their projects in a non colonial mindset. After all, why abandon colonial appropriation when you can have hipster makeshift tents in the name of “art”?

Herman van Campenhout, CEO of Telegraaf Media Groep, is leading nothing but an immoral and racist corporation that puts the lives of Black people and all minorities in this country in danger. The unethical standards employed by De Telegraaf Media Groep’s properties in order to “invent” news endanger people’s lives, disturb them in their homes and uses children to further push vile ideologies. This media company is not reporting news. They are making up situations that they later on pass as “news” in spite of the fact that the people involved did not wish to lend themselves to their blatant invasion of privacy.

This media corporation shows an utter contempt for the safety and well being of Black people and minorities in The Netherlands, going as far as filming children in a sad, racist spectacle, effectively profiting from the exploitation of Black people for corporate gains. No matter whose lives are stake or who gets to pay the price for it, all that matters for this corporation is that they increase their profits and incite their audience. News? The only news in this performance is that they have no care or interest in anyone’s humanity, after all, the CEO needs to justify his bonuses.

Dutch media business model: racist harassment of Black people for profit | Space Invaders

My latest at Space Invaders on the way media corporations in The Netherlands incite racism and violence against People of Color to increase their profits.

To be clear, Alleen Maar Nette Mensen is an 89 minute assault and degradation of Afro Surinamese and Dutch Afro Caribbean women and men, the Bijlmer (the multicultural heart of Amsterdam) and their cultures. The film is bursting at the seams with racist and sexist spectacles. Fictionalized spectacle in and of itself is not at issue here, it’s the manner in which the spectacle is used to uncritically reproduce some of the most damaging historical stereotypes of men and women of color.

Alleen Maar Nette Mensen: The Netherlands and the continued dehumanization of black people | Quinsy Gario at Space Invaders

A film review by Quinsy Gario of the new Dutch film Alleen Maar Nette Mensen (Only decent people) which opened in The Netherlands yesterday. 

zwartepietisracisme:

And now an English language version of the explanation of Zwarte Piet’s costume.

Thanks to Shantrelle P. Lewis for asking and Christine Fischer for helping with the translation. Be sure to check out our facebook page: Zwarte Piet Is Racisme.

My short piece about the latest misogynist mess in The Netherlands, in view of our very own election campaign currently under way.

I scanned this page out of the summer edition of Dutch magazine OpZij. This is hands down, the most popular feminist magazine in the country. They devote two news items to Women of Color in this edition. Both are in this page. The top item explains how Muslim women “cook themselves silly and are attacked during Ramadan” and the second one, with the disembodied brown, Mexican hand illustrating the item, is about women who participate in drug cartels.

With feminism like OpZij, who needs white supremacy?!

From the video description (emphasis mine):

In the short film Blackboard Frouwkje Smit shows various Africans from south of the Sahara whom she has met in The Netherlands. Smit investigates to what degree these individuals feel themselves uprooted in their new environment and how they deal with that fact. How do they respond to the fact that they are living in a different country, and how do they handle all their experiences and memories from their homeland? Not the persons themselves, but the blackboard tells us the story of these Africans. Their stories come to life on the blackboard; the words and pictures are represented, written, wiped away and immortalized.

In her website, Smit describes this blackboard thustly:

For my graduation project (2008), I created Blackboard, a chalkboard that serves as a universal means of communication.

“Africans” who do not tell their stories and instead, the blackboard, created, provided and filmed by a white, Dutch artist does so on their behalf. And notice the way these unidentified “Africans” are portrayed drawing, while the colonial gaze speaks for them.

And I just gotta love her wording: “how do they respond to the fact that they are living in a different country?” as if she was poking them with a stick and documenting how this Other responds to the stimulus, or as if she had “informed” them of this ground breaking news that this is not “home”.

And in case you thought this is just juvenile colonialism and she might have corrected her ways, I direct you to her current art project, where she brought a piano to Bonaire so that locals can make music while she films them in the name of “art”.

lickystickypickywe replied to your post: The world outside right now: Meanwhile,…

wow…..that rain….

Did you read last week about that rich dude in Dordrecht who built a replica of Noah’s ark and populated it with polystyrene animals? Seeing how it’s been raining for the past few days, I now think he was up to something.

Scary travel advice!

Ha! My neighborhood is listed in Wikitravel… only not as a tourist attraction but as a place to avoid:

In the larger cities, certain areas are considered unsafe at night. A few are also unsafe in daylight:

Amsterdam: Kolenkitbuurt, Overtoomse Veld

In daylight! Incidentally, and I don’t think I need to point this out: I happen to live in one of the least white areas of The Netherlands. SO STAY AWAY FROM MY DOMAIN WEALTHY TRAVELERS! It looks like we are a threatening bunch!

Contrary to popular opinion, desire is not neutral. Desire is culturally and historically specific, and because it is directed at racialized bodies (e.g. over-sexualization of “Black” bodies), it becomes racialized. Moreover, the racialization of desire and the social construction of race went hand in hand; racism is, thus, intimately connected to questions of desire. However, ‘white amnesia’, as Barnor Hesse writes in White Governmentality, “represses the historical context of racism because the threat of the ‘racialised other’ absorbs all attention.

Egbert Alejandro Martina: “Cry Me a River: Tears of Pride Walk” « PLUG

On point piece about Pride Week in The Netherlands and “gay emancipation” movements in the country.

Crypto Breivik ideologies in Dutch mainstream media

Yesterday, the NRC, one of the main newspapers in The Netherlands, in its printed edition, published a short but damning column against immigration in Europe and more specifically, in The Netherlands. The title of this piece is “The biggest historical mistake”. Unsurprisingly, the writer’s conclusion is that immigration is bad for the country because it diminishes trust among the population. His premise is that a diverse people do not trust each other due to racial and ethnic differences and that such lack of trust is detrimental to the country’s well being. “In communities with more ethnic homogeneity, the trust among people is higher”. This is what passes for “information” in one of the best read newspapers.

However, as if the above wasn’t alarming enough, the column draws supporting data (and I use the term data very loosely here), from a book called “The immigration taboo. Ten scientists about facts”. This pamphlet pushes the idea that the reason foreigners do not “integrate” into Dutch society because of lower IQ levels and it supposedly legitimizes such outrageously racist statement through “scientific” facts.

Since the writer mentions not only the book itself but also the publishing house behind it, Uitgeverij van Praag, I checked out what other material they produce and to the surprise of none, I found out that they publish gems such as this one “On, on to the battle to liberate Jerusalem!”, a book described as “not the usually politically correct nonsense to demonize the crusades”. It doesn’t escape me that Breivik himself was obsessed with this topic and saw the crusades as a fundamental founding moment of European identity and sought to vindicate the war against Muslims, Islam and the Arab world as not only necessary but key to the “survival of Europe”.

That people like the writer of this column, the writer of the book vindicating the Crusades and those behind the publishing house exist doesn’t surprise me. What does shock me is that Dutch mainstream media legitimizes this racism and places it on the public opinion as “fact”. These are the “facts” later on used by politicians and other media to justify more draconian measures and downplay the deadly results of these policies and rhetoric. Then, when immigrants are murdered (as was a Turkish man less than a month ago because of his ethnicity), writers and media pretend that such murders are a deviation, not the norm. Well, NRC just proves how the machinery for the normalization of violence against the Other operates. And they are among those firmly leading the path.

The Dutch royal family has overtaken that of Britain to become the most expensive in western Europe, according to annual research by Belgian professor Herman Matthijs. In total, queen Beatrix and her children cost the Netherlands €39.4m, including €18m in personal costs, RTL news quotes Matthijs as saying.

This is four times the cost of keeping the Spanish royal family, RTL said. Britain used to top the ranking but queen Elizabeth’s cost to the taxpayer has gone down from €45.6m to €38.2m, Matthijs calculates.

The figures do not include the cost of security.

DutchNews.nl - Dutch royal family is most expensive in western Europe

Context apropos of the closing down of NiNsee, the Dutch centre for the promotion of research and distribution of knowledge and information regarding the Dutch slavery past and its consequences for contemporary society, due to “budget cuts”. Also closing down, the Moluccan Historical Museum, which kept a permanent collection about the Dutch colonial intervention in Indonesia. Additionally, every other arts and culture institution is facing severe budget cuts to the point that some of them can barely function.

A piece, in Dutch, I co-wrote with Quinsy Gario about racism in The Netherlands as a cultural ecosystem. From the piece:

De discussie die ontstond over het ‘racismeprobleem’ dat Marokkaanse jongeren al dan niet zouden hebben is typisch voor hoe het debat in Nederland gevoerd wordt. Discussies over racisme in Nederland suggereren telkens weer dat racisme een individuele gedraging zou zijn, discriminatie door één persoon gericht tegen een ander persoon. Deze obfuscatie voorkomt dat we racisme zien voor wat het werkelijk is: een cultureel ecosysteem. Uit ditzelfde ecosysteem is ook Hirsi Ali zoals we haar vandaag de dag kennen, als vechter voor vrouwen in islamitische omgevingen, voortgekomen. Dat Hirsi Ali van dezelfde partij komt die ook Rita Verdonk, Geert Wilders en ons het huidige demissionair minderheidskabinet heeft voorgebracht is niet toevallig. Het racisme dat door haar gebezigd wordt en constant beloond wordt is namelijk onderdeel van een groter probleem.

Ah, what a lovely cover for this brochure “Mentoring Projects and Migrant Youth”. It makes me feel warm and fuzzy just looking at it.

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